Today I’m beyond excited to be interviewing my author friend Erika Marks – here with her fourth novel It Comes In Waves. As with each of her novels, Erika has been kind enough to visit my blog. Thank you, my friend! Erika describes herself in her bio this way: “a native New Englander who now makes her home in North Carolina with her husband and their two little mermaids.” Here’s what the bio doesn’t say: she’s one of the nicest and funniest and most-fun-to-talk-to writers I’ve had the good fortune to get to know online. But here’s the best part. Erika grew up very near where I live today, which we realized after we met through our blogs, and so we can talk about all the places I go that she used to. So fun! I’ve also met her in person when she was home visiting!! Believe me that was one fun meeting and I have high hopes we’ll meet again next time she’s in her hometown here in Maine.
It’s All About Relationships: A Conversation with Novelist Erika Marks
It Comes in Waves addresses many kinds of relationships—romantic love, friendship between women, friendship between men, mother-child, father-child, even grandparent-grandchild. This Q&A will focus on those relationships…and I’ve learned through her four books that Erika is a pro at describing these relationships. It’s one of the reasons I wanted to focus this Q&A on just that.
I warned you I would ask this question! One of the things I really enjoy about your novels is that each of them has a (well, at least one) love triangle. It Comes In Waves is no different. I don’t want to give anything away but how could anyone not be in love with Foss? What is it about the “rule of three” that makes love relationships more interesting to write about than “just problems” and tension in a relationship? Where do you get your ideas for the love triangles…do they come from your real life, or…?
This IS a great question—and I know you will think I’m being coy, but the truth is the theme of love triangles is not born of my own experience but there’s no question I find the idea intriguing. Okay, maybe it had something to do with playing Helena in my high school production of A Midsummer Night’s Dream—and as anyone familiar with the play knows, there is no end to the drama (and humor!) when a love triangle (or square in the case of AMND!) ensues. However, I am always interested in exploring how we evolve in our relationships and how, as we grow, our attractions grow and change—which will often lead to having conflicting romantic feelings and not knowing how to express them, which is what I think happens to many of the characters in my novels. Dahlia from Little Gale Gumbo, and Foss from It Comes In Waves, are examples of that.
I’m not giving anything away (it’s on the back of the book) when I divulge that best friends Claire and Jill reunite after a long estrangement. Have you ever had a friendship that ended? If so, did you end up reuniting? If not, did you base the Jill/Claire story on other friendships you watched crumble? How did your own friendships make you more or less sympathetic to each woman?
Believe it or not, so often my fictional relationships come out of a lack of personal experience. I think of a situation that I may not have any context for, and it fascinates me to explore it through the novel. Sometimes pieces of my own life creep in (You’re a writer, Julia, so I know you know how can it not, right?), but from the outset, it is the unfamiliarity of the relationship that intrigues me and compels me to write about it.
Slight spoiler question… if you haven’t read the book you might want to skip this one. Am I the biggest sap in the world? I kept hoping that the third generation (Jill’s son and Claire’s daughter) might end up together. I was kind of surprised, in fact, that Claire’s daughter left Folly Beach. Did you consider this possibility? Claire and her daughter have a tense relationship with some serious trust issues. Is it strange that when I write about teenagers I always take their side (not the parents’), so I’m curious—are you the same way? Did you find yourself on one side or the other or are you more impartial than I am?
Such a great question because I can’t tell you how many times my husband and I will comment after watching a movie how you know you’re a parent when you identify more with the plight of the adult than the child. However, that said, when I write, I go back and forth, depending on the character. In the scenes of Claire as a teenager, I definitely took her side more but when it came time to show her present conflicts with her daughter, I wanted to be more balanced, as I hoped to be when showing Claire’s tensions with her own mother in the present. What interests me as a writer is seeing both sides and showing them because the older I get, the more I see the different perspectives and I think it makes for a more interesting and compelling story to reveal both sides—or at least, have the characters grow through understanding that the other side exists.
Re: Luke and Lizzie, it’s funny—when my mom started the book, she assumed Luke and Lizzie would end up together too—and honestly, I never considered it. But now, I can’t help but wonder What if…
I don’t know if you ever saw that old movie Romancing the Stone? At the beginning of the movie, the main character is crying as she’s writing…she always does. I’m that kind of writer. When I’m writing, I always cry…at emotional times in the story but especially if there’s heartbreak and always when I’m writing (or reading) the end. I’m curious, do you cry when you write? If so, what kinds of things make you cry? What parts of It Comes In Waves did you think were the most sad…that you thought, as you were writing, would make readers feel most sad?
You mean, have I seen it in the last two months??!! (It’s one of my very favorites—and was even before I became published!) I love that you cry as you write—very rarely do I, but sometimes when I’m at the very end of the process, maybe far enough away from all the edits and can see the story through fresh eyes again, I will definitely tear up. (And of course, I always hope I look even one quarter as adorable doing it as Kathleen Tuner does in Romancing the Stone!) In writing WAVES, I definitely teared up when Ivy spoke of needing a place to honor her son’s memory—and when Luke admits that he didn’t want to see the shop go because it might mean losing the only tie he had to his father.
I’m playing relationship therapist here a bit! Here’s a list of (some of) the relationships in It Comes in Waves… for each pair, can you give me a few words to describe the relationship and tell me which character in each pair you related to more or perhaps felt more sympathy for? Also (of all of them) which of was easiest to write, which was hardest to write? For those of you who haven’t read the book, I’ve noted the relationship…now you can see what I mean about Erika being the expert, right?!
Jill & Luke (mother-son) I related to Jill more but I definitely felt for Luke. I have daughters but I think there is something different about sons—so possibly this was one of the harder relationships for me to write.
Claire & Lizzie (mother-daughter) It went back and forth—I felt for Claire needing a closeness to her daughter and being so afraid of losing that bond but I also felt for Lizzie’s need for independence.
Claire & Jill (estranged best friends) Honestly, this one was challenging to write, but in a good way. As I wrote their scenes, I vacillated between who I felt more tenderly for, depending on the scene. I wanted the balance because I didn’t want one woman to come off as “the good one” and the other “the bad one” which might have been easy to do based on their history.
Foster & Shep (best friends) For whatever reason, maybe because I had so many male friends growing up, and was very observant of the way males relate to one another, I felt this relationship came together very naturally as I wrote it.
Jill & Foster (love) I loved writing their relationship because there was a purity to their growing feelings, a sense that they belonged together and they both knew it, even if they didn’t dare act on their feelings for a long time to spare the hearts of those they loved.
Claire & Foster (love) This one was tough because I knew as I wrote it that their love would eventually become unbalanced and I hurt for Claire’s longing for something Foster couldn’t give her. The mother in me came out, wanting to protect Claire from heartache but knowing she had to feel the blow before she would accept the truth.
Jill & Shep (love) This was a tougher relationship to unearth, because there is so much history, and because Shep takes Jill back after she leaves him for Foster. But it was the layers of that history that made it such an interesting relationship to explore.
Claire & Maura (mother-daughter) I felt more for Claire when she was young in this relationship but in the present, I definitely felt torn between the two. For better or for worse, Maura is who she is, and Claire is resistant to accepting that, as well as resistant to taking responsibility for her own choices and not blaming them on her parents.
Ivy & Claire (friends…and kind of MIL/DIL…well, it’s complicated) There was such warmth there—the mother figure Claire never got to have with her own mother, and Ivy saw so much of herself in Claire.
Ivy & Jill (MIL-DIL) By contrast, Ivy and Jill were forever prickly, but their relationship was a fascinating one to write, because the tension was thick and I knew eventually it would boil over—but what would be the final straw?
Ivy & Luke (grandmother-grandson) Like Foster, Luke is Ivy’s everything and he validates her choices and her dreams—even if she knows deep down they are ill-fated. I loved writing their scenes.
Gus & Claire (new love) Gus is such a dude and I couldn’t wait for him to swoop in and shake things up for Claire. The fact that he knew her from way-back-when and reminds her of her passion for surfing (and the fiercely independent young woman she once was) makes him so irresistible and lovable. And let’s not forget…
Margot & Gus (just joking but you still have to answer…dog-man) A man who loves his dog and makes her as much a part of his world as anyone? Sign me up! I know this will come as a big shock to you, Julia, but I’m tempted to say this might have been the easiest relationship of all of them to write!
Thank you again, my friend! So happy you were able to take the time for this visit!
Bio: Erika Marks is a native New Englander who now makes her home in North Carolina with her husband and their two little mermaids. She is also the author of THE GUEST HOUSE, THE MERMAID COLLECTOR, and LITTLE GALE GUMBO.